At risk / Sound Engineering Technician
SOC 27-4014.00

Sound Engineering Technician

VerdictHigher Risk
Signal 01 · structural exposure
57
/ 100

Sound engineering technician work centers on mixing, balancing, and adjusting audio through a control console, a fundamentally digital, software-mediated task that overlaps closely with what current AI audio tools are already built to do.

Signal 02 · real-world AI usage
Not yet available

We have not ingested real-world usage data for this occupation yet. We show a band only where genuine data exists, rather than estimate one.

What this is not
Neither reading measures whether any single sound engineering technician has lost work to AI. That data does not exist anywhere yet — both signals describe tasks, not headcount. This page is not a prediction that this job disappears.
How we calculated this →

What a sound engineering technician actually does

Sound engineering technicians operate control consoles to regulate volume and sound quality during recording sessions, conferring with producers, performers, and directors to determine and achieve a desired sound. Daily work includes recording speech, music, and sound effects on various media, mixing and separating instruments, vocals, and other audio elements, and setting up, testing, and adjusting recording equipment for both studio sessions and live performances or broadcasts.

The role is overwhelmingly studio- and console-based, the large majority of technicians work indoors in an environmentally controlled space, spend considerable time sitting, and regularly handle equipment controls with a demanding accuracy standard, over 70% report that precision is extremely important to the job.

Sound engineering technicians work across music recording studios, live concert and broadcast sound, film and television post-production, and podcast or streaming production, an industry widely described as extremely competitive with long hours common (72% work more than 40 hours weekly).

Why it reads this way

Sound engineering technician work centers on mixing, balancing, and adjusting audio through a control console, a fundamentally digital, software-mediated task that overlaps closely with what current AI audio tools are already built to do.

Real, deployed AI-assisted mixing and mastering tools (automated leveling, noise reduction, stem separation) already handle meaningful parts of the routine mixing workflow, and 2026 industry coverage frames the field as shifting toward hybrid human-plus-AI skills rather than eliminating the role outright, a real, if softer, signal than a clean displacement story.

No individual license protects this occupation, and unlike Camera Operator, its adjacent peer role in this same research batch, the job's physical component is narrower: most of the workday is spent operating a console in a controlled room rather than performing hands-on, judgment-heavy, direction-responsive work in an unpredictable live environment. BLS projects a small employment decline (-1% or lower) through 2034, consistent with the numeric structural score.

Live sound work retains a real, in-the-moment component, mixing a live performance or broadcast in real time genuinely requires a human present, but this covers only part of the occupation's overall task mix, not enough to clear this site's bar for an 'AI-resistant despite the paperwork' verdict on its own.

Skills this role draws on

Audio Mixing & BalancingRecording Equipment OperationLive Sound EngineeringStudio Console OperationCollaboration with Producers/Performers
Pay & demand
$29,110–$124,690
10th–90th percentile, USD/year
Average: $73,130/yr
Demand
Low
Growth outlook
Declining
Projected growth
-1% or lower (2024-2034)

Range source: BLS Occupational Employment and Wage Statistics, May 2021-2025
Average source: BLS OEWS wage data for Sound Engineering Technicians (27-4014.00) via O*NET OnLine, 2025 wage data (Annual Median Wage); min/max from BLS OEWS May 2021 10th/90th percentile (most recent percentile breakdown found)

Research verdict
Assessed as of 2026-08-17
At risk

Sound Engineering Technician scores 43/100 (Medium confidence, both pillars cover this code) — well below this site's 60-point Safe threshold, and neither a legal wall nor a strong physical-automation shield holds it up. No individual license protects this role, and O*NET's own work-context data confirms the job is overwhelmingly console- and studio-based (83% indoors, 60% sitting most of the day) rather than genuinely hands-on physical work. Real, deployed AI-assisted mixing and mastering tools already handle meaningful parts of the routine console workflow, and 2026 industry coverage describes the field shifting toward hybrid human-plus-AI skills rather than displacing the role outright, evidence worth weighing honestly rather than treating as a clean protective wall on its own. BLS independently projects a small employment decline (-1% or lower) through 2034. Live sound engineering retains a genuine real-time, in-person component, but covers only part of the occupation's overall task mix, not enough on its own to clear this site's bar for an 'AI-resistant despite the paperwork' verdict.

This is a researched judgment (checklist v1.2), not a statistical measurement — it sits alongside, not instead of, the structural exposure signal above. Next scheduled review: 2027-02-17.

Sources (3)
Last updated: August 2026Source: BLS Occupational Employment and Wage Statistics, May 2021-2025

Data sources & methodology

Salary data: BLS Occupational Employment and Wage Statistics, May 2021-2025. Average figure sourced separately: BLS OEWS wage data for Sound Engineering Technicians (27-4014.00) via O*NET OnLine, 2025 wage data (Annual Median Wage); min/max from BLS OEWS May 2021 10th/90th percentile (most recent percentile breakdown found).

Task descriptions: Based on O*NET occupational analysis (27-4014.00).

Real-world AI usage band: Microsoft's "Working with AI" study of Bing Copilot conversations mapped to O*NET tasks (arXiv 2507.07935), and corroborating data from the Anthropic Economic Index.

Growth projections: -1% or lower (2024-2034), based on BLS Occupational Outlook Handbook.

Learn more about our methodology